《徘徊》劇情簡(jiǎn)介
HOVER takes place in the near future, where environmental strain has caused food shortages around the world. Technology provides a narrow path forward, with agricultural drones maximizing the yield from what land remains. Two compassionate care providers, Claudia (Coleman) and her mentor John (Craig muMs Grant), work to assist sick farmland inhabitants in ending their lives. After John dies under mysterious circumstances, a group of locals helps Claudia to uncover a deadly connection between the health of her clients and the technology they are using.
《徘徊》相關(guān)視頻
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6.0
樓蘭傳說(shuō):幽靈軍隊(duì)
2021
科幻
簡(jiǎn)介: 熱血正義的考古青年吳天于沙漠中發(fā)現(xiàn)樓蘭文物青銅琉璃鏡,偶然與銅鏡中樓蘭圣女雅曼平行時(shí)空相遇,為守護(hù)樓蘭文明國(guó)家寶藏,防止其落入外國(guó)盜墓者之手,兩人共赴樓蘭秘境天使之墓,并肩揭開千年神秘的“幽靈軍隊(duì)”傳說(shuō)秘密,一場(chǎng)斗志斗勇的樓蘭冒險(xiǎn)之旅拉開帷幕。
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4.0
51區(qū)
2015
科幻
簡(jiǎn)介: 今年秋季一部《午夜靈異錄像》(Paranormal Activity)以一萬(wàn)多美元的超低成本在北美取得了一億多美元的票房回報(bào),讓人嘖嘖稱奇。眼下該片導(dǎo)演Oren Peli已經(jīng)和派拉蒙公司再度簽約,將讓他們繼續(xù)來(lái)發(fā)行自己的新片《51區(qū)》(Area 51)。 和《午夜靈異錄像》一樣,《51區(qū)》也是超自然驚悚片,不過其成本已經(jīng)大幅攀升到了500萬(wàn)美元,盡管和別的影片比起來(lái)仍然屬于低成本,但這已經(jīng)是其前作成本的百倍了?!?1區(qū)》講述的是3個(gè)青少年受好奇心驅(qū)使溜進(jìn)了位于美國(guó)內(nèi)華達(dá)沙漠內(nèi)利斯空軍基地俗稱51區(qū)的地方,外界盛傳美國(guó)軍方在這里掩蓋了外星人存在的證據(jù)?! ?jù)透露,派拉蒙是在前不久的美國(guó)電影市場(chǎng)展會(huì)上達(dá)成這一協(xié)議的,他們將聯(lián)合Incentive電影娛樂公司和Aramid娛樂公司,為這部《51區(qū)》及可能的續(xù)集提供高達(dá)七位數(shù)的拍攝資金。目前《51區(qū)》已經(jīng)拍攝完畢,正在進(jìn)行后期制作,預(yù)計(jì)明年就能和觀眾見面。另外,完成該片后導(dǎo)演Oren Peli還將為派拉蒙制作《午夜靈異錄像》的續(xù)集。
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6.0
尼斯湖怪
2008
科幻
簡(jiǎn)介: James Murphey (Brian Krause 飾)是個(gè)健壯的神秘動(dòng)物學(xué)家,在去尼斯湖的途中遇見了傳說(shuō)中的尼斯湖水怪樣的生物,它殺害了他父親,并在他臉上留下了深刻的疤痕。20年后,James追捕尼斯湖水怪,來(lái)到了蘇必利爾湖上的長(zhǎng)矛島的睡眠鎮(zhèn)。他請(qǐng)了Josh Riley做他的導(dǎo)游,James和Josh對(duì)科學(xué)有共同的興趣,而且都失去了父親,所以成為了好朋友。James想讓Josh的媽媽Karen Riley治安官相信那個(gè)60尺的蛇頸怪正在殘害生靈。
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9.0
徘徊
2018
科幻
簡(jiǎn)介: HOVER takes place in the near future, where environmental strain has caused food shortages around the world. Technology provides a narrow path forward, with agricultural drones maximizing the yield from what land remains. Two compassionate care providers, Claudia (Coleman) and her mentor John (Craig muMs Grant), work to assist sick farmland inhabitants in ending their lives. After John dies under mysterious circumstances, a group of locals helps Claudia to uncover a deadly connection between the health of her clients and the technology they are using.
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1.0
外星入侵
1999
科幻
簡(jiǎn)介:兩名書呆子高中生在學(xué)校地下室偶然發(fā)現(xiàn)了隱藏的外星人盔甲和武器,于是他們變成了高科技超級(jí)英雄。但是,當(dāng)這些外星寶藏的主人回來(lái)取回時(shí),他們會(huì)怎么做呢?
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9.0
神秘島
1961
科幻
簡(jiǎn)介: During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen <clamen@cs.cmu.edu> In 1865, during the siege of Richmond, Virginia, the union soldiers POW Captain Harding, Neb and Herbert escape in a balloon during a storm with two confederate prisoners, Sergeant Pencroft and the journalist Spilett. The uncontrollable wind takes the balloon to a mysterious island in the South Pacific in the area of New Zealand. Captain Harding self-proclaims the leader of the group and they look for food; sooner they discover that they are stranded in an island. Further, they are attacked by a giant crab that becomes their first meal. Along the days, they build a shelter and finds that the island is inhabited by giant animals. A couple of days later, they find two castaways on the beach, the aristocratic Lady Mary Fairchild and her sexy niece Elena. Later they find a trunk with weapons and instruments like sextant and shelter with a journal of a man left alone in the island by pirates. When the pirate vessel arrives in the island, they are helped by Captain Nemo of the Nautilus, a submarine that had supposedly sunk in the coast of Mexico eight years ago. Nemo is famous as the man that tried to end strike among man. When the volcano begins activity, they need to leave the island to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil
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